10 best X-Men comic book covers of the ’60s, ranked

The 1960s were a turbulent decade for the X-Men. While many of his fellow Marvelcomers would find great success, his popularity waned over time. Despite a strong start, the mutant hero concept would not capture the public’s imagination. They would end the decade with a declining title that would need to be rebooted in the ’70s.

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Despite this, they did have many positive points. They would feature a host of characters that would set the stage for decades to come. Additionally, some of the most iconic artwork of any title produced can be found on both its pages and its covers.

10 The Brotherhood

Issue 4 featured the Brotherhood of Evil Mutants and provided a spectacular cover to do so.. He put aside the full action of the previous issues and opted for a calm portrait of the villains. Their outfits and haunting nature gave them the qualities of a Brothers Grimm fairy tale..

Not only was it the return of Magneto, not seen since the first issue, but it was the debut of several important characters. These include the future Avengers Quicksilver and the Scarlet Witch. It was also one of the few times Magneto was seen with his own private army.

9 Introducing the X-Men

X Men Edition 1

The cover of issue 1 is as much a tribute to the era as it is to the characters. The X-Men jump into action resplendent in blue and yellow uniforms. His arch nemesis, Magneto, sits in stark contrast to his red and purple outfit.

The first issue of X-Men contained an astonishing number of characters and references. It not only introduced the concept of mutants, but also the X-Men squad and Magneto. The male members had already formed a team, and the arrival of the female Jean Gray upsets the balance and provides the plot device to develop the squad.

8 Introducing Havok

X Men number 58

The introduction of Havok occurred at the end of the decade. Issue 58 introduced Cyclops’ brother Alex Summers as a new hero. Artist Neal Adams used a surreal overlay of the character, with the X-Men squad below encased in a glass globe.

The issue itself is significant, not just as Havok’s first appearance, but because of the groundwork it would set up for the mutant-hunting Sentinels. It cemented his ongoing legacy and also featured the appearance of Living Monolith, as well as Banshee, who would soon become a member of a new and updated X-Men team.

7 The origin of Professor X

giant origin of professor x

Despite the shared title, the origin of Charles Xavier is not the appeal of this book. Instead, the focus is the mighty Juggernaut’s first appearance. In this Jack Kirby classic, the villain has his back to the viewer, as the X-Men recoil from his incredible power.

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Not only would it say the origin of Professor X, but it would serve to embody one of his most emblematic enemies. The Juggernaut would at some point even become an X-Man. He would remain one of the strongest characters in the Marvel universe, even taking on the Hulk on several occasions.

6 Now the mimicry will appear

x men number 19 imitate

While there were a number of wacky outfits in the ’60s, Mimic could hold the crown for the weirdest. His oversized feet and angel wings not only looked very strange, but were also paired with a brown and yellow jumpsuit. Finished off with triangular-lensed glasses, the whole thing turned out to be a very intriguing villain.

Produced by Werner Roth, the cover has this strange character front and center as the bewildered X-Men watch. The problem does not start with a plot to take over the world, but with a teenage punch. It ends with Mimic discovering the identities of the X-Men and an attempt to capture Jean Gray.

5 The ultimate sacrifice

X Men issue 16 supreme sacrifice

This number was part of the history of “Among Us Walk The Sentinels”. It was here that the mutant-hating enemies of the X-Men Be featured. Each issue had an excellent cover, with an honorable mention to number 14.

It has a haunting, slightly make up Master-Mold like him is attacked by the X-Men. A bright yellow background ties the entire theme together, reflecting the closing of the bow.. Jack Kirby’s excellence is apparent. His depiction of the Sentinel remains cold and sloppy, despite the fact that he is being attacked by the X-Men..

4 The Banshee’s Lament

lament of the banshe x-men

Banshee would later become a major player on the new and different X-Men team. NeverthelessIn his first appearance, he was a very different character. His debut was as an art thief, who used his sonic screams to steal a valuable landscape painting.

The cover shows Banshee as a wind-like totem character. It’s a far cry from the sight of him that we would get later. In fact, even on the pages, was represented with a more human likeness. The cover even featured Mimic as an honorary member of the X-Men.

3 The death of Professor X

X Men number 42

At this point in the decade, it was apparent that the X-Men comic was not gaining popularity with readers. Although unconfirmed, this likely explains the change in title design at the time, with the X-Men name often taking a backseat on the story’s title cover inside.

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For starters, this title caught the eye. The team’s mentor since # 1 actually passes away, after multiple disagreements with the students. It would signal a move that would lead them into the next decade and a changing of the guard in the mutant world.

2 The strange threat of Unus the untouchable

X Men number 8 Unus

Amidst retail shelves of explosive primary colors, Jack Kirby chose to be minimal on this issue. The center image shows Unus, resplendent in his purple outfit, with the X-Men bouncing off his untouchable frame.

The most interesting thing about the whole issue is that the Beast takes up residence as a professional fighter. Unus would be the third person to attempt to join the Brotherhood of Evil Mutants. Due to the failure of the Blog and Namor above, he spends trouble trying to prove himself by beating an X-Man.

one Mark of the monster

X Men 40 frankenstein's monster

Often forgotten due to the inclusion of a wacky story, the cover of issue 40 is probably one of the most memorable things in the comic. Features an image of Frankenstein’s monster, waiting behind a door in ambush for the X-Men.

At this point in the series, the book featured two stories in an attempt to drive declining readers. The second story was much more interesting. It was about a plot with young Scott Summers and Jack ‘O Diamonds. It is a mystery why it was not used for the main function.

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