Judas and the Black Messiah is receiving stellar reviews from critics. This is what is said about every aspect of the Fred Hampton biopic.

Featuring a star-studded cast led by Daniel Kaluuya and Lakeith Stanfield, Judas and the Black Messiah it’s winning over critics based on the film’s overwhelmingly positive reception. Based on Fred Hampton, a chairman of the Black Panther Party in the 1960s, the biopic already garnered prestigious award nominations before being released to the general public. Shaka King is notably serving as director of the HBO Max launch that simultaneously hit theaters on February 12.

Judas and the Black Messiah follows Hampton (Kaluuya), the leader of the Illinois chapter of the Black Panther Party in the late 1960s. A petty criminal named William O’Neal (Stanfield) agrees to help the FBI as an informant while he infiltrates the Party. While Agent Roy Mitchell (Jesse Plemons) acts as the whistleblower’s FBI controller, O’Neal goes to great lengths to betray Hampton. Of course, King’s film is straight out of the history books and documents a time period in which the black activist was identified as a radical threat.

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At the time of writing, Judas and the Black Messiah It has a near perfect rating on Rotten Tomatoes, coming in at 97%. Critics’ consensus points to the forceful performance of the cast, specifically Kaluuya in her portrayal of Hampton. Much of the accolades also stem from King’s role as director, as it highlights a critical period during the civil rights movement with messages that still resonate today. Many have seen the biopic as gripping, but subsequently balanced by allowing all the major players to evolve on screen. Here’s what the most positive reviews had to say:

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The force of Judas and the Black Messiah is that it goes far beyond rhetoric, or even historical reconstruction for that matter. Letting his talented cast lead the way, King has made a film focused on emotions and turbulent relationships that are fractured and loving at the same time.

The Atlantic:

With Judas and the Black MessiahKing has made a thriller that talks about the story without feeling didactic, that keeps the audience in suspense even though the ending was written decades ago. Kaluuya is garnering well-deserved applause and award nominations for his work, but Stanfield is the film’s troubled and troubled center, an antihero torn between nascent idealism and cruel realism.


Although it is the beginning of the year, it does not seem an exaggeration to name it as one of the best films of 2021. It may also be one of the most important films of the year, as it is a work created by black artists on black historical figures, and a full narrative of the circumstances and people involved in Fred Hampton’s death rather than a footnote in a white story.

Shadow and act:

Although a bit long, Judas and the Black Messiah it is fascinating. King carefully elaborates every detail from the wardrobe to Hampton’s reverence for black women, and Deborah, in particular. The role of black women in the movement is still often erased in movies about this era, good to see King highlight it here.

Even though positive reviews are in the majority when it comes to Judas and the Black MessiahSome criticism adds to the mix. While most critics endorsed King’s work as a director, some have criticized the script for lack of focus. There’s no question that Kaluuya and Stanfield put on stellar performances, but a handful of critics claim that the narrative downplays the stories of real-life figures. Here are some of the less favorable reviews:

The New Yorker:

The director, Shaka King, who co-wrote the script with Will Berson, keeps the tension high, but the film is primarily a collection of sketch-like scenes; the protagonists are given traits rather than depth, and the results are informative but unenlightening.

In online review:

Obviously, the discourse that the film engages and fosters is necessary and powerful, and the film’s ubiquity provides a tremendous platform from which such important messages can be delivered, but when filmmakers do so little to alter the status quo of the medium, which is particularly annoying in this case given the character of the film revolutionary spirit, or elevates the narrative beyond what CliffsNotes says, they reduce much of the emotional force of a film.

Taking into account the extraordinary cast and the timely themes exposed, Judas and the Black Messiah It is sure to appeal to viewers, whether it airs on HBO Max or in theaters. The fact that King’s film has already received many awards, including a Golden Globe nomination for Kaluuya, will only increase interest. Titles gaining stellar critical responses is exactly what HBO Max wanted from their Warner Bros. streaming deal. Unfortunately, HBO Max streamers will have to act quickly to catch this potential award winner as Judas and the Black Messiah It will only be available for one month after its initial debut.

More: Read Screen Rant’s Review on Judas and the Black Messiah

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