Quentin Tarantino proved to be a master at choosing soundtracks with his debut film, Reservoir Dogs. He solidified that reputation with songs on Pulp Fiction.
Quentin Tarantino has always been known for his iconic soundtracks. No one can pull off a needle drop moment like Tarantino, from the hallway scene “Battle Without Honor or Humanity” in Kill bill to the war paint scene “The cat people (putting out the fire)” in Inglorious Bastards.
Tarantino’s ability to match his scenes with the perfect music began in Reservoir dogsBut he blew the entire music licensing budget on “Stuck in the Middle with You.” The director didn’t get a chance to actually show off his record collection until he had a bigger budget for his second feature. Pulp fiction, whose soundtrack album is wildly popular.
10 Reservoir Dogs: “Little Green Bag” by selection by George Baker
At the end of the unforgettable dinner scene in Reservoir dogs, the distinctive opening chords of The George Baker Selection’s “Little Green Bag” are heard before the film shows the gangsters walking through the parking lot in slow motion.
This is one of the most memorable opening credits sequences of all time. The names of the actors appear above the close-ups of their characters, then the film’s title shifts beyond a general shot of the group.
9 Pulp Fiction: “Misirlou” by Dick Dale
Quentin Tarantino conceived Pulp fiction to be a kind of rock ‘n’ roll spaghetti western and determined that surf rock is essentially a rock ‘n’ roll version of spaghetti western music pioneered by composers like Ennio Morricone.
Dick Dale’s “Misirlou” starts playing when Pumpkin and Honey Bunny stop at a restaurant and the frame freezes. It plays for the first half of the opening credits before a meta radio station change turns it into Kool & the Gang’s “Jungle Boogie.”
8 Reservoir Dogs: “Hooked On A Feeling” by Blue Swede
Before the off-screen heist in Reservoir dogs, Blue Swede’s “Hooked on a Feeling” plays on fictional radio show K-Billy Super Sounds of the Seventy.
The song was later used in Guardians of the Galaxy and Marvel’s marketing team put it at the forefront of all the movie trailers, so unfortunately Reservoir dogs It is no longer the movie with which this track is most closely associated.
7 Pulp Fiction: “Bullwinkle, Pt. II” by the Centurions
At the beginning of the story of “Vincent Vega and the wife of Marsellus Wallace” in Pulp fictionVincent goes to his dealer Lance’s house to buy heroin.
As she shoots against a completely black background before driving to Mia’s house, “Bullwinkle, Pt. II” perfectly sets the tone for her high.
6 Reservoir Dogs: “Caught in the Middle with You” by Stealers Wheel
This is not only the most memorable musical moment of Reservoir dogs; It’s arguably the most memorable musical moment in all of Tarantino’s filmography, and one of the most memorable in movie history. It caused strikes in the first screenings of the film.
The upbeat melody of Stealers Wheel’s “Stuck in the Middle with You” is brilliantly juxtaposed with images of Mr. Blonde sadistically torturing a policeman, especially since the music is diegetic and Mr. Blonde dances casually throughout the entire scene. .
5 Pulp Fiction: “You Never Know” by Chuck Berry
Chuck Berry’s rock ‘n’ roll classic “You Never Can Tell” provides the perfect setting for Jack Rabbit Slim’s dance contest scene in Pulp fiction.
Tarantino was inspired by everything from Jean-Luc Godard’s Keeping to himself to Disney’s Aristocrats in devising the spontaneous choreography of this scene.
4 Reservoir Dogs: “I Gotcha” by Joe Tex
Since Tarantino spent most of the music budget on Reservoir dogs By getting “Stuck in the Middle with You” for the centerpiece of the film, he had to cut down on spending for the rest of the soundtrack.
When Nice Guy Eddie is on the phone in a panic after the robbery went terribly wrong and a cop is being tortured at the rendezvous point, Joe Tex’s “I Gotcha” plays.
3 Pulp Fiction: “Comanche” by The Revels
After escaping from the pawn shop basement, Butch is about to leave when he hears that Marsellus is sexually assaulted by Zed and Maynard. She cannot leave him behind in good conscience, so she decides to return to save him. Race through tons of possible weapons before deciding on a samurai sword.
The Revels “Comanche” exquisitely sets the stage for Butch’s revenge. This is the moment that Butch ensures a happy ending. Now, you won’t have to look over your shoulder. Departing with Fabienne in Zed’s helicopter for a bright future is chronologically the final scene of the film.
two Reservoir Dogs: “Coconut” by Harry Nilsson
Harry Nilsson’s cool, laid-back song “Coconut” plays during the end credits of Reservoir dogs. The song’s whimsical melody eases the tension that follows the film’s exciting final scene.
After the movie comes to a head and Mr. White is horrified to discover that his surrogate son, Mr. Orange, has betrayed him, Tarantino plays Nilsson’s track about a doctor who prescribes a coconut-lime drink. to a patient with stomach pain.
1 Pulp Fiction: “Surf Rider” by The Lively Ones
The final scene of Pulp fiction brings the whole circle full as it reveals that Jules and Vincent were present at the opening restaurant robbery. After a tense confrontation with the robbers, “Surf Rider” by the Lively Ones plays on the soundtrack.
The two hit men scan the restaurant, see that the other customers are angry that they recovered their own wallets without thwarting the robbery, and Vincent says, “I think we should go now.” Jules says, “Yeah, it’s probably a good idea.”
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