Warning: major spoilers ahead of I care a lot
Netflix’s latest black comedy thriller, I care a lot, ends with a groan of retribution that feels neither appropriate nor cathartic. Written and directed by J Blakeson (The disappearance of Alice Creed), I care a lot chronicles the cruel and vicious structures that dominate state-backed guardianship, mostly leading to the abuse of the elderly who find themselves trapped within a corrupt Medicare system. Starring Rosamund Pike, Peter Dinklage, Eiza González and Dianne Wiest, I care a lot is now available for streaming on Netflix and Amazon Prime Video.
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I care a lotThe center of attention is Marla Grayson (Pike), a ruthless con artist posing as the legal guardian of the elderly, whom she exploits to divert her wealth. Justifying her actions in the opening narrative, Marla sees the world in extreme binaries, classifying those around her as predators or prey, while refuting the concept of “goodness” as performative and inorganic. Marla behaves reprehensibly in a surprisingly effective manner, with the complicit help of doctors unfairly declaring targets unfit to manage their own finances, meticulously planned court appearances to fool the justice system, and state of the art. retirement home that benefits from the entire cycle. Aiding her in her exploits is her partner, Fran (González), who conducts a preliminary investigation before identifying potential targets and also acts as an executor every step of the way.
However, Marla seems to have found her match when she chooses Jennifer Peterson, her new target, who, unbeknownst to her, is backed by Russian mob boss Roman Lunyov (Dinklage). What ensues is a frenzied game of cat and mouse between the two, aiming to subdue the other in their own terrible and ruthless way. Here is the end of I care a lot explained, along with the dominant themes and lingering questions that run through the fabric of this comic satire.
Why is Marla taking over Ms. Peterson in I Care A Lot?
Right off the bat, I care a lot establishes that Marla reigns supreme in her deception of exploiting the elderly, without arousing suspicion in the court or anyone involved in state affairs. This can be attributed to unscrupulous doctors willing to falsely testify in court, coupled with a passive and innocent justice system that fails to recognize the monstrosity at its core. When one of her old patients dies, Marla is hungry for a new victim, excited for the opportunity to catch another unsuspecting target, whom she considers a quick money-making scheme. Dr. Karen Amos, the accomplice doctor in question, presents a potential target named Jennifer Peterson (Wiest), an extremely well-off retiree with no immediate family. Fran and Marla seem electrified at the prospect of catching a “cherry,” a term meant to hint at the maturity of the opportunity, which is sweetened by the fact that Ms. Peterson arrives unconditionally, making her an easy target. .
Quick to conduct background checks on Ms. Peterson and examine her life’s landscape, Marla swoops in to surround her prey, showing up at Ms. Peterson’s door with a court order considering her the older woman’s guardian. . While Ms. Peterson is shocked and completely confused, she has no choice but to comply, as she has been declared unfit to take care of herself and her finances by the state. After taking her to the assisted living center and confiscating her cell phone, Marla and Fran proceed to sell their beautiful home and auction off most of her belongings, allowing them to make huge profits in the process. However, when Marla discovers valuable diamonds not listed in Peterson’s safe, it becomes clear that the old woman is not who she appears to be and that Marla has chosen the wrong target.
Why did Roman Lunyov from Dinklage offer Marla a partnership in the end?
After Marla realizes that Ms. Peterson is the mother of Russian mob boss Roman Lunyov, she becomes even more determined to preserve her guardianship, as she is hell-bent on not losing, no matter the consequences. He posts a series of sequences that aim to escalate the fight between the two, Marla is victorious after succeeding in abducting Lunyov, leaving him drugged and naked in the middle of nowhere, only to be found by the state the next morning. Unable to trace his origins and identity, the state brands Lunyov as “John Doe” and places him under the tutelage of Marla, who relishes the idea of controlling his health and well-being. It is important to note that while I care a lot Intended to be a satire, the second half of the film only manages to come off as a series of reprehensible acts, with injustice prevailing at every turn. While Lunyov’s intentions are by no means noble, it is difficult to suspend disbelief to the point of absurd improbability, as when Marla is shown to single-handedly subdue the intricate hierarchical structure of the mob and kidnap its leader without mishap. no practical repercussions.
Helpless under Marla’s legal guardianship, Lunyov, instead of plotting revenge or attempting to carry out retribution, offers Marla a partnership. In accepting his loss, Lunyov praises Marla for her ruthless determination and absolute need to win at all costs, leading him to offer her a business proposition. This is arguably one of the film’s weakest points, as this decision is artificial and uncharacteristic of the formidable mob boss, who seemed furious and haunted by his mother’s fate for most of the film. Doing business with the woman who had subjected Ms Peterson to heartbreaking routines at the senior center seems completely out of place even for a hardened criminal, but clearly money seems to be the main motivator for people like Marla and Lunyov, who happily shares this common ground for nefarious ends.
Working together to expand Marla’s small-scale scam business, the two manage to create a burgeoning empire built on exploitation of the elderly over the years, with Marla becoming the CEO of her company and gaining a huge success. While Ms. Peterson is eventually released under their mutual benefit agreement, the cost of this partnership is unforgivable: the lives of thousands of older people, forced to part with their hard-earned income and personal freedom, spending the rest of his days in a sedative-induced stupor and state-backed captivity.
How the ending of I Matter Much Fails as a Satire and Dark Comedy
Dark comedies, when executed with wit and nuance, can be compelling and fascinating to witness, such as the brilliance and dizzying depth of Uncut gems, which is both bittersweet and cathartic in the end. The end of I care a lot It is none, as the film fails to create a compelling satirical narrative, but falls prey to the trappings of style over substance. While irony is present in the narrative from beginning to end, it is never allowed to blossom and flourish as there is no balancing factor when it comes to tipping the scales against Marla and her ruthless exploits. I care a lot He desperately tries to frame Marla as the lesser evil, but ends up frustrating his own central message by pitting two morally deficient characters against each other, who only end up working together for further systematic exploitation.
While film does not necessarily have to portray morally upright characters or protagonists in the typical sense of the term to be enjoyable, it is important to offer characters to cheer on, no matter how skewed their motivations may be. Not much to worry about the characters in I care a lot, who simply engage in one vile action after another without self-insight, intervention, or motivational depth. Plus, midway through, the film shifts from a dark comedy and delves into full-blown violent thriller territory, adding an element of inconsistency to an already confusing and complicated plot.
Does Marla survive in the end? What the end really means
As the film nears its end, it seems as if Marla is rewarded for her unscrupulous ways as she evolves into a successful public figure, wielding a false personality of selfless caring and empathy. However, merit finds its way when Mr. Feldstrom, whose mother was taken away by Marla at the beginning of the film, shoots her at point-blank range in a fit of rage fueled by pain. Revealing that his mother had died alone in the care facility, unable to visit loved ones before leaving, Mr. Felstrom ends Marla’s empire of greed with a single bullet before being taken away from authorities on the spot. . As Marla is shot near the heart and loses a considerable amount of blood in the process, it is unlikely that she survived the shot and most likely died in Fran’s arms.
While it could be argued that Marla finally faces the consequences of her terrible acts, the ending is neither satisfying nor cathartic to watch, as it comes as a cheap opportunity for retribution in an indifferent and insensitive world. Even dead, Marta comes out triumphant in her eyes, with the proclamation that it is “just getting started. ” Though I care a lot ending with the dismantling of Marla’s dreams, the film inevitably raises pertinent questions. Marla is dead, but her company is sure to continue as there are numerous players in the game willing to cash in on the plight of the elderly, so will the dire cycle ever end? What will be the repercussions for people like Feldstrom, who are pushed to the limit by grief and loss and are forced to commit crimes of passion as a last resort? What about the countless Marlas who remain within the state-backed guardianship system, willing to seize every opportunity to make millions with unsuspecting targets? I care a lot He doesn’t seem to care about these questions, and ultimately doesn’t offer a scathing social commentary that a satire should essentially offer.
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