With storytelling around for centuries, there are tropes that are impossible to avoid. the Harry Potter The series has included them as well, and novels and movies employ them as they please. Things like Harry’s role as a hero, the conflicts he goes through, and the overall Hogwarts presentation have all been praised and criticized for using the main characters in regards to these tropes.

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With a television series adaptation in the works, you need to present elements from the books and the film series in a way that tells the story correctly, but doesn’t overload the tropes. Harry’s journey should look authentic, and there are certain tropes that will work while others won’t.

10 Incorporate: key phrases

Key phrases are an easy way to make characters memorable as they are associated with their personalities and generally elicit a reaction from viewers. At Harry Potter series, these have even become memorable quotes, so this trope must be maintained.

The television series should incorporate more catchphrases from the characters in the novels, as the movies only spent a few moments on lines like Ron’s. “Bloody hell!“O Malfoy”My father will find out about this!‚ÄúThis is a trope that can’t go wrong when used at the right times.

9 Avoid: adaptive heroism

This is a trope that was used in abundance for the movies, to the point where they argue in favor of Malfoy not being a villain. It’s a tired trope found in novelty adaptations that has to go away, as painting clearly villainous characters in a positive light undermines the courage of the leads and their sacrifices.

It is also inappropriate given that Malfoy clearly had prejudiced views against Muggle-borns and used derogatory terms towards them while trying to prevent Harry from defeating Voldemort at the Battle of Hogwarts. The television series should keep the villains as they were in the novels to carry out their true characterizations.

8 Incorporate: book ends

It’s tempting for developers to make a parallel between what happened at the beginning of a series and repeat it at the end. The ends of the books add the nostalgia factor, which is well deserved, especially in a story whenever Harry Potter.

There are creative ways to mix this up, like using the soundtrack or recalling a scene that happened from the beginning, among other techniques. On the set of a television series, the book endings will look even better, as the episodic format will have lengthened the story.

7 Avoid: one note personalities


This is a movie mistake that the TV series should avoid, as the movies turned the characters solely on their one-note qualities. It’s a trope found in film and television in general, as the characters end up becoming their main features rather than being completely layered.

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Making Hermione only smart or limiting Ron to comic relief would be the wrong way to go, so turning them into single-note characters should be completely ruled out. Instead, the series should incorporate the nuances of the characters’ personalities so that their best qualities and even their flaws are highlighted.

6 Incorporate: Focus on the landscape

Hogwarts Express

Movies and shows prefer to highlight the backdrop in various ways, from transitional cuts to shots that focus on the stage to add aesthetic quality. Since there are a number of locations at Hogwarts that the movies were not shown, the TV series should incorporate this trope.

It’s also completely justified, as Harry’s narration in the books made him marvel at the beautiful views Hogwarts provided. It would also set Hogwarts and all the areas that Harry visits according to the thematic value they bring if the scenery is highlighted.

5 Avoid: Fridging

This is a tricky thing to tackle, as Lily’s death was what led to Snape being the hero he became. However, the real frustration took place in the movies where Lily was not given any real characterization and her role only served to further Harry and Snape’s plot.

The TV series should avoid incorporating this trope the way the movies did, as placing Lily as an award that Snape was unable to obtain prior to her death is the wrong way to portray her character. Instead, Lily must be given her full backstory just like in the novels so her death is seen as the sacrifice it was rather than falling under the frigid trope and becoming the Lost Lenore.

4 Incorporate: Eureka Moments

Although it can be argued that sudden and incredible ideas are a lazy way to rescue characters, it works on screen as the characters’ thoughts cannot be revealed to the audience the way they are in the storytelling of the novels. .

To this end, watching them come up with solutions on the fly offers great visualization, as the audience doesn’t know the intention behind their movements. This worked well with Hermione’s plans in the movies and it should do the same in the TV series.

3 Avoid: Characters that disappear without explanation

There are characters in Harry Potter they deserved more, especially those of color. Because of this, the trope of characters disappearing without explanation, also known as Chuck Cunningham syndrome, should not be used as a way to dismiss them.

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This happened in both the books and the movies to people like Crabbe, most of the DA, Cho Chang, and many others whose absence was quite surprising. The TV series should at least give valid explanations for the whereabouts of characters not appearing for a while, as the disappearance trope has been used too many times to be ignored.

two Incorporate: Big Conclusion

This is the most commonly used trope across all forms of media, and it doesn’t need to go away either. The TV series would do well to incorporate an epic conclusion, with even changing a few things from the books to make the highlights more grand.

After all, a show that tells the story of all Harry Potter episodic books just won’t feel right if the ending is just talk and less impact. For this reason, the big ending trope must be accepted in order for the series to endure in the memory of fans.

1 Avoid: Villains chewing the landscape

This is a trope that is generally used in spy movies or comic book movies, but it was very present in the Harry Potter film cycle in Voldemort. It’s just not a trope that has aged well, as viewers no longer take hammy villains seriously or even kindly, especially for someone like Voldemort.

The TV series should avoid giving Voldemort any comic elements, whether intentional or not. Voldemort doesn’t need to goof off or make funny noises to make his villainy known either, not when the book’s interpretation of his snake-like gestures and the fear factor are better alternatives to incorporate.

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