The James Bond series’ only real flirtation with the horror genre came with Live And Let Die’s Baron Samedi, who is the spy’s only supernatural enemy.
Live and Let Die Baron Samedi is James Bond’s only supernatural enemy, at least to date. Despite the fact that James Bond author Ian Fleming favored movie stars like David Niven for the role, a relatively unknown Scottish actor named Sean Connery landed the role of the soft spy in 1962. Dr. No. The success of the film would lead to the creation of one of the oldest franchises in film history.
Since Sean Connery left the role after 1967 You only live twice Although he later returned for two more Bond outings, five other actors have inherited the role. While certain Bond films are better than others, the series has the amazing ability to adapt to each new generation and constantly reinvent itself. From the tongue-in-cheek fun of the Roger Moore era to Daniel Craig’s (relatively) grounded Bond action, the franchise always manages to stay fresh.
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Daniel Craig is ready to go out of the series with the next No time to die, which will mark his fifth outing. The oldest actor in the role of James Bond is still Roger Moore, who started with 1973 Live and Let Die and ended his career with 1985 A sight to kill, his seventh time on paper. Moore’s Bond went through a lot, from throwing Blofeld down a chimney to being shot into space, but he also faced the spy’s only real supernatural enemy in Geoffrey Holder’s Baron Samedi in Live and Let Die.
Samedi is the Loa of the Dead and giver of life in the Haitian Voodoo religion, and in Live and Let Die the character performs dancing for tourists at a resort. However, it is soon revealed that this baron is some kind of henchman of the villain Yaphet Kotto, there is still something a little strange about him, and it is not just his creepy laugh. His true nature is revealed in the ending, where Bond has to rescue lonely Jane Seymour from being sacrificed in a voodoo ceremony.
Baron Samedi is seen rising from a grave, and James Bond then shoots him in the head with a magnum pistol. His eyes stare at the gaping wound in his own skull, and when Bond shoots again, he crumbles like a clay figure. Another Samedi soon rises from another grave and, after a fight, Bond throws him into a coffin laden with snakes. That seems to be the end for Samedi in Live and Let Die, although he appears in the final shot of the film, alive and well, sitting in the front of a train in which Bond and Solitaire travel.
While the James Bond franchise has dabbled in everything from space travel to invisible cars, the supernatural or horror in general is rarely touched upon. Live and Let Die Baron Samedi is a singular character in the franchise in this case, as the evidence seems to point to him being a figure from another world. It is literally presented as “The man who cannot die, “and the ending confirms it. It could be argued that he’s still a flesh and blood man, maybe Bond actually shot a very realistic Baron Samedi figure, or that the snakes in the coffin weren’t poisonous after all. franchise never returned to character, so there is no definitive answer, although it’s more fun to think of him as the literal incarnation of the voodoo god of death.
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