The movie does an outstanding job raising its horror with a hint of bewilderment, but takes a wrong turn by delivering a confusing message.

Mixing social and political commentary with horror and blood, Wrong turn it can be an attractive, high-stakes movie. Pit Gen Z members against seemingly remote mountain people who are trying to maintain their lifestyle. Wrong turn – directed by Mike P. Nelson from a script by Alan B. McElroy (who also wrote the 2003 original) – asks the audience to ask who is right and who is wrong, who is “barbarian” and who is not , all while establishing the characters’ journey toward a sense of belonging and purpose. The movie does an outstanding job raising its horror with a hint of bewilderment, but takes a wrong turn by delivering a confusing message.

The reboot of the 2003 film of the same name (and seventh in the franchise), Wrong turn follows Jen Shaw (Charlotte Vega) and her friends, her boyfriend Darius (Adain Bradley), Milla (Emma Dumont), Adam (Dylan McTee), Luis (Adrian Favela) and Gary (Vardaan Arora), on their journey to walk through the Appalachians. Moutains. As soon as they arrive in a small town in Virginia, they are met with ugly stares, stares, and the general haunting feeling of not belonging. It is immediately established that Jen, in particular, is on this journey to discover her life after college. She has two degrees, one in dance, but she doesn’t really know what to do with her life or where she is going. It’s the kind of trip that is completely understandable for someone your age. Shortly after straying from the path, they encounter dangerous traps, death, and scares that ultimately put them in the direct path of the Foundation, a community of 12 families (led by Bill Sage’s Venable) who decided to make a living. for themselves in the Appalachians before the Civil War and will do everything possible to preserve their way of life.

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Charlotte Vega and Adain Bradley in the wrong turn

Wrong turn it’s rife with fantastic action, unnerving terror of getting lost in the middle of nowhere with absolutely no help, and horror that barely gets too gory (although there are beheadings). There are some intriguing twists and turns that aren’t too predictable, changing the narrative so that it holds the audience’s attention at all times. The Foundation is dominant, although the film tries to convince viewers to see things from its perspective. The group presents themselves as natives of the land (they are not), with forward thinking due to avoiding the Civil War. They are self-sufficient, but quick to use violence against those who invade their land. The Foundation offers a reason why they want to kill Jen and her friends, but seeing the group from their arrival and stealing their things weakens their argument of innocence and it is interesting that the film essentially tries to paint them as misunderstood people despite their actions. .

The movie is a modern reboot of the 2003 movie and with that comes the changes: The Foundation are not warped cannibals and the Three-Finger character is absent here. Still, the movie works on many levels. The horror is unshakable, set to turn creepy and unsettling. The Foundation is only slightly updated for a new era. Wrong turn she is perfect when it comes to her twists and is capable of generating the tension that generates hideously gruesome scenes and an overall sense of satisfaction. The film is bolstered by the good acting and the fact that it has something to say, even if that something isn’t exactly that clear. There is an underlying sense of fear that prevails throughout because, although it is obvious that Jen and co. they are going to have a confrontation with the Foundation, it is not immediately clear how things are going to end.

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One of the main problems with the movie, however, is that it doesn’t establish its characters well enough before the horror and action begins. All of the characters are set up to feel like obvious outsiders, especially considering Darius is black, and there is an interracial gay couple (Latinx and Indian-American) at the forefront. In that vein Wrong turn he doesn’t get deeply involved with their backgrounds or identities for the premise to fully work. In the case of Jen, who takes this journey to find herself, there is not enough time devoted to her personal journey. She doesn’t think she has anything to offer the world and devalues ​​herself as a person, tying her self-esteem to that of her biological makeup in order to survive, which is a strange choice considering the setup.

While Jen takes over at various points, the movie doesn’t entirely accept that she’s confused about life’s decisions, which would have been fascinating to dig deeper. It is also not clear that she had a sudden epiphany about her life during the trip. That being said, she underestimates herself and there aren’t enough swings regarding her future, which ultimately fails because it’s obviously used as an excuse to hike the Appalachians. The film also attempts to change the narrative regarding first impressions: it is revealed that the villagers, who seem fanatical, have different motives for their actions; Foundation members wonder out loud who the real monsters are in life (they certainly don’t believe they are despite their violent actions). But, the message is confusing because the movie plays both sides and it doesn’t seem to know what it wants to say in the end about either side. Wrong turn It should please viewers with its horror, gory action, and sense of unease that permeates the entire film, but it would have been more intriguing if the filmmakers had dealt with any of the obstacles initially introduced.

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Wrong turn It will be released on demand, digital, Blu-ray and DVD on February 23, 2021. The film is 109 minutes long and is rated R for its heavy bloody violence, lurid visuals, and pervasive language.

Let us know what you think of the movie in the comments section!

Our rating:

2.5 out of 5 (Pretty Good)

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Reference-screenrant.com

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