Godzilla and King Kong are mentioned in Marvel’s latest installment for American Kaiju, Planet of the Symbiotes # 2, in The King in Black.
Warning: spoilers for Planet of the Symbiotes # 2 are ahead.
Godzilla Y King kong They are some of the most iconic monsters in fiction, and their influence extended to Marvel Comics. American kaiju at King in black history. In Planet of symbiotes # two, Marvel’s version of Godzilla, American Kaiju, faced Knull’s hordes of Grendel dragons in an epic showdown on par with King Kong and Godzilla. The number was written by Marc Bernardin, with art by Kyle Hotz, colors by Rachelle Rosenberg, and lyrics by VC’s Cory Petit. Unsurprisingly, there were a couple of nods to Kong and Godzilla in the issue that helped enrich a story surrounding one of Marvel’s most underrated characters.
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American Kaiju teeters on the parody line, with everything from his backstory as a United States Army corporal named Todd Ziller (who sounds a lot like “Godzilla), to the American flag emblazoned on his chest, to their battle “YUUUUUU ESSSSSSS AYYYYY.” Given the number of Marvel characters that represent some aspect of their home country, American Kaiju fits perfectly as a particularly dramatic expression of American militaristic patriotism.
As a character, American Kaiju is a tribute to the Japanese kaiju, or giant monster, a genre that has proliferated in movies and comics for many decades. First Godzilla The film was released in 1954 and told the story of a giant ocean lizard monster that woke up when the use of nuclear weapons during World War II disturbed its habitat. While the importance of Godzilla can be interpreted in a number of ways, it can also be seen as the environment’s response to the bombing of Hiroshima and Nagasaki the previous decade. All of this makes American Kaiju a metacommentary on the kaiju genre itself.
Also, King Kong debuted in 1933 with his own self-titled feature film about a giant gorilla on the loose on remote Skull Island. Although Kong was a Hollywood invention, it was incorporated into the Japanese Godzilla films in the 1960s, becoming a mainstay of the kaiju genre. Subsequent reboots of both Kong Y Godzilla The films of the last twenty-five years have indicated that the genre is alive and well in the minds of fans.
Planet of Symbiotes # 2 Echoes Godzilla HALO jump scene 2014
The progression of American Kaiju’s fight against the symbiote dragons reflected two key media moments from Godzilla and King Kong. The first is a reference to 2014 Godzilla film, directed by Gareth Edwards. Towards the final act of the film, a team led by Ford (Aaron Taylor-Johnson) parachutes into San Francisco to retrieve a nuclear warhead that had been seized by a group of MUTOs (Massive Unidentified Terrestrial Organism). This HALO jump scene is one of the most fascinating parts of the film, as the camera follows from the perspective of the skydivers as they freefall alongside Godzilla himself.
In Planet of symbiotes # 2, a paratrooper falls and lands on American Kaiju’s back. And while she is there to administer an antiserum to Ziller to transform him back into human form, her presence dates back to the Edwards movie. The use of the paratrooper helps give the American Kaiju a sense of scale as a character, which is then contrasted with Todd Ziller’s normal human body after the antiserum has taken effect.
The comic also references a classic Kong and Godzilla fight.
Another Godzilla reference comes from a now frequently parodied scene from King Kong vs. Godzilla (1962). Led by Ishiro Honda, Kong and Godzilla were in the middle of a fight when the giant gorilla grabbed a tree and shoved it down Godzilla’s throat like a piece of broccoli. Godzilla then lit the tree on fire with his breath and shot Kong. In Planet of symbiotes # 2, the fight does not have such a benign ending. Confronting a two-headed symbiote dragon (perhaps referring to 1964 Ghidorah, the three-headed monster), American Kaiju took a needle from an amusement park and stabbed the dragon in the throat with it, killing his enemy.
While the original Kong and Godzilla scene looks cheesy almost sixty years later, Planet of symbiotes has a more gruesome version of the same gesture that is suitable for The king in black. Considering the hideous ways that Marvel heroes have died in history thus far, the use of such a humorously bloodless reference hilariously contrasts with the violence depicted in the issue. The king in black It has been an emotionally draining journey, but it has not been without its humorous moment.
References in Planet of symbiotes Number 2 of these moments in the Godzilla and Kong lore shows how referential monstrous media often are. Every culture on Earth has its own monsters, and they have been used throughout history to provide a level of consequence to human activity. Monsters have held out for so long because humans have always been fascinated and terrified by beings they cannot control. The idea that readers can recognize these pieces from previous Godzilla stories speaks to how often monstrous media is consumed and how they form a larger narrative tapestry that exists in the minds of moviegoers and comic book fans across the world. the actuality.
This is why American Kaiju takes such a different angle of parody, because it takes full advantage of the reader’s existing knowledge about monsters. As a character, he only exists in relation to Godzilla, down to the fact that his private identity is the phonetic doppelganger, “Todd Ziller.” The idea that the United States military voluntarily created a creature like the American Kaiju is hilarious, as much of the Godzilla The franchise is a warning against using weapons that are too powerful. References in Planet of symbiotes Issue # 2 thus draws attention to this dynamic, exposing the contradictions that American Kaiju poses not only as a government sponsored project, but also as a Marvel hero. Either way, the lessons you’ve learned King kong Y Godzilla places you on a long list of fascinating giant monsters.
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