Tony’s feverish dream in The Sopranos episode “Funhouse” forced the gangster to confront Salvatore Bonpensiero’s big secret; here’s why a fish was used.

Dreams were a recurring plot device in The sopranosBut the fever dream in “Funhouse,” which featured a talking fish, had arguably the biggest impact on the series. In the dream, Tony Soprano finally faces a truth that he had been avoiding: that Salvatore “Big Pussy” Bonpensiero was a federal informant. After the dream, Tony goes to Pussy’s house to find evidence, and at the end of the episode, the character, one of the most prominent on the show and whom audiences had grown to love, is shot and his body thrown into the ocean. The dream is used to prepare for Salvatore’s inevitable death, but it also hints at how Tony’s subconscious works.

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The sopranos, Season 2, Episode 13, “Funhouse” was the finale that tied the biggest loose thread of the season: Sal is a “rat.“Portrayed by Vincent Pastore,” Big Pussy “was an old friend of Tony Soprano and one of the main members of the DiMeo crime family. The idea that Sal was an informant first emerged towards the end of Season 1, when Tony “dirty cop” Vin Makazian warned Tony that he had an informant on his team, probably Sal. The truth was revealed to the public in season 2, episode 2, “Do Not Resuscitate”, and throughout the season, Sal’s activities as an insider were This created the main tension of the season, which could only be resolved if Sal disappeared with the help of the FBI or, more likely, by meeting a tragic ending.

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Tony already knew that Sal was an informant before his fever dream in “Funhouse”, so why The sopranos Does creator David Chase, who wrote the episode, use elaborate dream images? There are a few likely reasons for the creative decision: It added visual excitement at the end of the season, ended an ongoing story in a satisfying but believable way, and it also offered Chase a unique opportunity to not only foreshadow the climax of the episode but also to reference to the iconic gangster movie The Godfather.

The Soprano Ship Pussy funhouse

The scene of the fever dream between Tony and Pussy (the fish) added excitement to a revelation that the public already knew; The suspense in season 2 wasn’t about Tony finding out about Pussy, it came down to the moment when he would be forced to face the truth. The moment is really haunting and hard to forget. It is one of several examples of animals that are used symbolically to represent Tony’s inner feelings, but this case is one of the most disturbing. Chase is a fan of dream images (that’s why it’s used everywhere). The sopranos), which, as a plot device, allows various ideas to be communicated by superimposing symbols: the fish obviously represents Sal, but it also represents both his past and his future. As a fish, it has a “big mouth” (that is, it shared information that it shouldn’t have); as someone who betrayed Tony, he is “dead meat”. Your statement, “these guys, by my side? They are asleep“is an obvious reference to the famous idiom” sleeping with the fish “, which heralds his death at the end of the episode.

The sleeping line with the fish may be a gangster cliche, but it actually originated from The Godfather. Chase loved to sneak into the Easter eggs from classic gangster movies in The sopranos, so it’s fitting that such a significant death at this point in the series is tied to possibly the most culturally significant mob movie of all time. The fish motif precedes this scene and continues after it; In the season 1 finale, Chucky Signore is filled with a weapon drawn from a fish. In season 3, episode 10, Tony is horrified by the big mouth Billy Bass Meadow gives him for Christmas because it reminds him of Pussy. In that same episode, Sal (in a flashback) tells Tony “I always wanted a house by the sea. Maybe in another life. “In Tony’s dream, his wish is granted, perhaps indicating Tony’s conflicting wishes: Tony is obviously hurt by the betrayal, but he loves Pussy like a brother anyway. The fever dream haunts Tony in The sopranos – and also sticks to the viewer.

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