Tony Soprano was a brutal mobster who cared more about animals than most people. Here is the meaning surrounding the painting of Pie-O-My the Horse.
Tony Soprano was a vicious mobster with a surprising soft spot for animals, and this was notably shown by the infamous Pie-O-My horse painting. In the beloved and acclaimed HBO crime drama The sopranos, main character Tony (James Gandolfini) always gravitates towards animals, and in season 4, he meets Pie-O-My, the racehorse. Mobster Ralph Cifaretto (Joe Pantoliano) acquires the animal himself, but does not share Tony’s fondness for it. When Pie-O-My needs life-saving medical attention, but the vet won’t treat her until Ralphie’s outstanding bills have been covered, Tony is the one to pay off the debt and comfort the sick animal, in a tender moment for him. gangster. Serie.
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But tragedy strikes when the horse dies in a stable fire. Although considered accidental, Tony has a suspicion that it was Ralphie who set the barn on fire. After all, he didn’t much care for the horse, she was racking up vet bills, Ralphie was getting the insurance money, and the two gangsters had been in a tense fight anyway. Tony confronts him about it, and the interaction ends with him choking and beating Ralphie to death while yelling, “It was a beautiful and innocent creature! What did she do to you ?!“Tony and Christopher take care of the body and life goes on, although Ralphie’s disappearance causes a sensation. But Pie-O-My leaves behind a lingering memory of his legacy: a painting of her and Tony that he had done while she was alive.
Why Tony Wants Pie-O-My’s Painting Destroyed
Tony orders the painting to be destroyed after losing Pie-O-My and perpetrating Ralphie’s brutal death on screen. Every time you see it, it is a reminder of both pain and guilt. Of course, he mourns the loss of Pie-O-My, one of his many beloved animal friends throughout the show, helping him tap into a seemingly hidden reservoir of empathy. And, if you’re thinking about the horse, that means you’re thinking about Ralphie too. Although Ralphie was a terrible person, and Tony knows it, he feels guilty for the gratuitous murder. You must also feel a sense of shame for your actions, losing control in the moment and breaking down to the point where you beat a grown man to death without thinking.
And by remembering Ralphie and his untimely disappearance, Tony is also forced to recall the brutal and unfair, even by mob standards, deaths in which the late, slimy gangster was involved throughout the entire plot of Sopranos. In particular, there was Tracee, Ralphie’s pregnant girlfriend whom he himself had beaten to death in a fit of rage. He also participated in Jackie Aprile, Jr. hitting while hiding from danger, even though the young man was like a stepson to him and Ralphie had told Tony he was going to give it to him. “a pass.“
Why did Paulie keep the painting (but gave Tony a general’s uniform)
Like many of the characters in The sopranosPaulie is extremely quirky. But it’s strange, even for him, when he not only keeps the painting instead of destroying it, but modifies it so that Tony is wearing a military uniform similar to Napoleon’s. But why does it do this? There is an obvious parallel to the Mafia military code, one in which there is a clear chain of command and orders are given and followed (although, ironically, Paulie doesn’t follow orders this time). Tony is the boss, the sort of “general”, and a common mobster position is that of “capo” or captain. Also, gangsters who follow orders within the show are often referred to as “soldiers.” And of course there is a comparison between Tony and Napoleon, the widely known political and military leader during the French Revolution.
Napoleon is also known to be the leader of an empire that eventually fell under his leadership, causing him to die in exile. This hints at the future of Tony and the crew; Although he is an effective leader for much of the time, the show later ends with the crime family falling apart and many main characters dying or involved in death. The sopranos was phenomenal at intertwining testosterone-fueled crime with meaningful relationships with animals, artwork, and deep-layered symbolism, and Pie-O-My and his painting were no exception.
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