At the end of Concrete cowboy, the stories of the film are very well linked, leaving very little to explain. However, given the subtlety of the film’s ending, some details deserve a bit more explanation than what is provided in the film.

Concrete cowboy is a coming-of-age movie about Cole (played by Strange things‘Caleb McLaughlin), a troubled boy who goes to live with his father, Harp (Idris Elba), who rides an urban horse, for the summer. And while the main plot of the film follows Cole’s growth and the development of his relationship with his estranged father, it also tells the story of his cowboy heritage and the continuing threats he faces from racism and gentrification.

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Cole’s mother fears he is on the wrong path in life at his home in Detroit and hopes to steer him in the right direction by sending him to live with his father in Philadelphia. At first, they clash, with Cole apparently determined to repeat the mistakes Harp made in his youth, bringing him dangerously close to ending up in jail or the morgue. At the same time, they begin to bond, and Cole ends up finding courage, direction, and ultimately a new family at the Fletcher Street Stables. Concrete cowboy It ends on a bittersweet note, reuniting father and son in the face of great loss. It is precisely this subtle dichotomy that might need a little more explanation.

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Are the stables on Fletcher Street real?

Lorraine Toussaint as Nessie in Concrete Cowboy on Netflix

It’s no secret that Concrete cowboy It is based on a true story. The film is an adaptation of Greg Neri’s 2011 novel. Ghetto cowboy, which, in turn, is based on the real-life Fletcher Street Urban Riding Club in the Strawberry Mansion neighborhood of North Philadelphia. The stables on Fletcher Street are not only Concrete cowboy real, but the struggles the characters face in the movie are real too. For generations, Philadelphia’s real-life horseback riders have struggled to preserve their lifestyle and heritage, which has been passed down through the generations, and not just on Fletcher Street.

Much of the struggle of Philadelphia cyclists is due to racism, and as the characters in Concrete cowboy To mention, black jeans (or more correctly, black jeans) have largely been left out of the history books and the media. Real-life organizations like the Fletcher Street Urban Riding Club promote public understanding of the great contribution that Black Cowboys have made and continue to make in communities across the country. As testimony to this fact, a series of interviews during the end credits reveals that many of the film’s actors were actual members of the Philadelphia riding community.

Why did Cole grow up without a harp?

Caleb McLaughlin as Cole in Concrete Cowboy on Netflix

Along the Concrete cowboy, Cole makes many discoveries about himself, his father, and his heritage. Learn that taming a wild horse requires love, not domination. Also, learn that this love comes in many forms and it is not always easy. Despite his discoveries, Cole still does not feel loved by his father Harp, who seems more attached to his horses and fellow riders than his son. However, when Cole threatens to run away, Harp reassures Cole about his feelings by telling him of his bittersweet memory of Cole’s birth. It also tells the story of Cole’s namesake, legendary saxophonist John Coltrane, who grew up without a father and still became a great man.

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Finally, Concrete cowboy reveals that Harp separated from his son because of poor decisions he made when he was young, not out of indifference. When Cole was born, Harp was already in trouble with the law and faced a five-year prison sentence. (Presumably this is why Cole’s mother brought him from Philadelphia to Detroit.) As a result, Harp reluctantly chose to stay out of Cole’s life to protect him from the consequences of his own shortcomings. The fact that Harp named Cole after Coltrane was both a blessing and a promise to keep a safe distance. In essence, staying away was an act of love. This is evidenced by the fact that Cole’s mother trusted Harp enough to leave her only son in the middle of the night in an unfamiliar neighborhood.

Why does Cole’s mother cry at the end?

Jharrel Jerome as Smush in Concrete Cowboy on Netflix

The final scene of Concrete cowboy shows Cole’s mother arriving at Harp’s house, presumably at the end of the summer to bring her son back home. She cries and hugs Harp in a clear show of love for the man. Throughout the film, it is unclear what the status of their relationship is, but this scene leaves no room for doubt. They still love and love each other. At first, it appears that Cole’s mother is crying with sadness, and she is, in part. Smush (Jharrel Jerome), a boy very much like his own son, was shot and killed recently, he probably hasn’t seen his son in months, and his community is slowly dismantling. There is no doubt that her tears contain some sadness. However, her tears are also tears of happiness. He sees that his son has grown into a man and tells him that he looks good as a cowboy. It’s a bittersweet reunion that underscores one of the film’s most important messages: love comes in many ways.

What is the true meaning behind Concrete Cowboy?

The true meaning behind Concrete cowboy is that growing does not mean having all the answers; it means trusting the answers you have. For Cole and the Fletcher Street Riders, the answer is horses. By the end of the movie, Cole is on the verge of realizing this, but it takes the sudden and violent death of his friend Smush, the impending loss of the stables, and the threat of losing his horses for the lesson to really come home. . Cole finally realizes that he has to trust his father to accept his form of love, just like a wild horse needs to trust its handler.

On Concrete cowboyDespite the incredible losses suffered by the Fletcher Street cyclists, they persevere, but not because they have all the correct answers. Instead, they persevere because they trust their heritage and, more importantly, others. They may have lost the place they call home, but they finally remind themselves that home is not a place, it is a family.

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