During Hollywood’s heyday, one of the brightest stars was undoubtedly Judy Garland. Garland, a multi-scripted character with a racing heart and beautiful humanity, had a career that consisted of some of the most melodious musicals, string-to-dope romances, and chilling dramas. It’s crazy to even consider narrowing your career down to just ten roles.
Without a doubt, there are an infinite number of outstanding films in Garland’s extensive filmography. Moving down the IMDb rating scale will reveal gems like The pirate, I could keep singing, Y Ziegfeld Girl. It’s the top of the top, though, which ranks among the best Hollywood productions, and it was an honor for all of them to feature Garland on their highest-grossing credits.
10 For me and my girl: 7.1
Garland was a regular contributor to Busby Berkeley, the bombastic director who defined the visual language of the old guard at MGM, and Gene Kelly, a man of song and dance perhaps like no other. For me and my girl I saw that trio come together in 1942 for a quality movie, even if it wasn’t the best of either couple.
Released during the World War II tie, For me and my girl He looked at how vaudeville worked during World War I, looking for a contemporary parallel between show business and global conflict. Garland led the film brilliantly as Jo Hayden.
9 In the good old summer: 7.2
Garland was linked to MGM for most of her career, and another Technicolor musical from that time paired her with Van Johnson in 1949. In the good old summer. The general story of the film is also known to be based on The store around the corner and the movie half a century later, You’ve got mail.
Garland and Johnson have strong enough chemistry together, even though she is the most prominent as Veronica Fisher. Notably, this film was also the debut of Liza Minnelli, Garland’s daughter who was three years old at the time.
8 A child is waiting: 7.2
Garland always knew how to join talented directors, no matter what era he worked in. After mounting a screen comeback, he found his way to John Cassavetes for the penultimate film role of his career: Jean Hansen in 1963. A child is waiting.
It’s a role in which Garland had aged perfectly at that point in his career. As a teacher whose sincere methods change the trajectory of many children, there was also an almost painful, meta quality of “what could have been” in the film.
7 Summer Stock: 7.2
In 1950, Garland recorded his last film for the MGM studio when he re-featured with Gene Kelly for the sumptuous and downright beautiful musical, Summer stock. The production was frustrating, but the end result is profound.
Garland played Jane Falbury, a farm owner who ends up showing off her hospitality skills when an entire theater company needs a rehearsal location for the show. The movie is charming and funny, but the most impressive moment comes when Garland sings “Friendly Star” as the camera focuses on Gene Kelly’s Joe Ross, who listens affectionately.
6 The clock: 7.4
The only director Garland was more prolific with than Busby Berkeley was Vincente Minnelli, the musical savant who would become Garland’s husband in 1945. Also in 1945? The couple’s second film together, The watch.
On The watchGarland was Alice Mayberry, a rather passive character in Garland’s work who wavered between being unlucky and being highly sought after. It’s a perfectly useful movie that helped propel Garland’s career out of purely musical territory.
5 Easter Parade: 7.4
Musicals will always be what Judy Garland is best known for. In 1948, for example, one of his leading roles came in the form of Easter paradeby director Charles Walters. In the role of Hannah Brown, Garland is charming on the pastel and elegant theme.
Easter parade paired Garland with Fred Astaire, as well as songwriter Irving Berlin, and it became one of the biggest hits of the 1940s. Obviously, the title number is sweet, but Garland’s rendition of “I Want to Go Back to Michigan “is one of the most underrated moments in the movie.
4 A Star Is Born (1954): 7.6
The story of A star has been born It’s one that’s been seen over and over again in Hollywood, yet the 1954 performance is clearly one of the defining roles of Garland’s career. In this version, she played Esther opposite James Mason’s Norman.
The rest are well known in Hollywood history. Garland’s first partnership with Warner Brothers was tinged with yearning, momentum, and recovery. It ended up earning him a Golden Globe trophy and an Oscar nomination, both very well deserved.
3 Meet me in St. Louis: 7.6
Garland’s first film with Minnelli is also one of the most enduring musicals of all time. Meet me in St. Louis tells the story of a year in the life of the Smiths through a series of vignettes that relate to each season, and the story is gripping and emotional, without a doubt.
Garland delivers what is probably the best starring twist of her career as Esther Smith, a character who switches between heartbreaking and fun-loving with ease. “The Trolley Song” alone would be enough to place this film in the top three on the list, but the movie also includes “Have Yourself a Merry Little Christmas,” perhaps one of the most iconic numbers in music history and of all times. of a Christmas song. That was Garland’s magic.
two The Wizard of Oz: 8.0
While she’s never better than she’s in Meet me in St. Louis, it’s hard to imagine a time when Garland’s most famous role is not considered The Wizard of Oz. Her breakout performance came as Dorothy Gale in one of the most famous movies to ever exist.
It’s hard to imagine someone who doesn’t primarily associate her with classical fantasy. It is also for good reason. Garland was the perfect choice for Dorothy as she brought sweetness and innocence to the role, as well as a sense of nurturing and adventure. Not to mention, his rendition of “Over the Rainbow” is probably the most acclaimed Oscar winner for Best Original Song.
1 Judgment in Nuremberg: 8.2
Trial in Nuremberg It’s certainly not Garland’s most iconic movie or performance, but Stanley Kramer’s 1961 court drama wouldn’t have been as high-quality without Garland’s Oscar-nominated supporting role as Irene Hoffmann.
His testimony ends up being one of the most important in the film, which is very loosely based on real events. It’s a truly supportive twist and a fascinating display of Garland’s career path in the 1960s. It may not be Garland’s defining movie, but it’s definitely one of the best on his résumé.
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