Taylor Swift She is one of the best-selling music artists today, but how does her movie roles rank from worst to best? It is true that the 11 Grammy Award-winning artist has not risen to full movie stardom. He doesn’t have an Oscar like Jennifer Hudson, nor has he managed to land a major Christopher Nolan vehicle like Harry Styles did with Dunkirk. His film career has been varied and mostly full of mistakes, but his on-screen character has never been an embarrassment. While he excelled fantastically in every other aspect of his career, it feels like he’s just starting out on the big screen.

Somehow, between selling 200 million records worldwide, winning Album of the Year three times, and writing and performing on nine albums, Swift has found the time to plant the seeds of a film career. While he has appeared in cameos on shows like New girl, And while his performances in his cinematic music videos have always been stellar, his films have struggled to capture critics and audiences alike. From Cats to The donor, His may not be the most impressive filmography, but he has brought something unique to each of the four films in which he has appeared.

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Swift has just experienced one of her most successful years, releasing the phenomenally successful albums. Folklore Y Increasingly in 2020, as well as the acclaimed documentaries American lady Y Folklore: The Long Pond Sessions. While both films are excellent, this list will focus solely on their performances on the narrative characteristics. Here are Taylor Swift’s movies, ranked worst to best.

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4. Valentine’s Day (2010)

Taylor Swift being interviewed on Valentine's Day

In 2010, Garry Marshall directed this total rom-com bomb, weaving a star-studded ensemble’s struggles with love for 18 hours on Valentine’s Day. Many critics pointed to its copycat nature compared to 2003. Love really another star-studded rom-com centered around a major party, but even naysayers of what the movie would have to agree, it seems like Citizen Kane compared to this soft Hallmark greeting card from a movie. In her first on-screen acting role, Taylor Swift completes a massive cast that also features the winning Razzie twists of Ashton Kutcher and Jessica Alba. It’s a shaky debut, especially since her goofy role wastes the artist’s laser-focused intelligence. There are a lot of clumsy and clumsy line readings, and for much of the movie she is forced to carry a life-size teddy bear with her. Of course, this is also a time capsule movie – your on-screen romantic partner is TwilightTaylor Lautner, whom she would date in real life. The star also recorded a song for the film’s soundtrack, the country-pop tune “Today Was a Fairytale,” recently updated for Swift’s 2021 re-recorded version of her 2008 album. Bold.

3. The Giver (2014)

the-giver-taylor-swift-jeff-bridges

Anyone who has been through an English class in high school has experienced Lois Lowry’s medal-winning junior novel Newberry. The donor. A coming-of-age story set in a dystopian society where equality is valued above all else, the book tells the story of a boy named Jonas, chosen by his community to receive past memories from the Giver (Jeff Bridges). As you learn more and more about the time before the Same, you become more and more attuned to your emotions and thus rebelling against society. Bridges was apparently tied to the film for years before it was finally made, and his portrayal gives an infinitely superior film feel that could have been created from this amazing source material. Unfortunately, the movie of The donor opt for a more futuristic, action-packed style, The Hunger Games it vibrates, spoiling much of the novel’s haunted texture and introducing a hackneyed love triangle. A brunette Taylor Swift in The donor is actually one of the least offensive parts of the film, playing the expanded role of the Giver’s daughter, Rosemary, who introduces Jonas to the music. While playing an emotionless young woman doesn’t come naturally to the bleeding-hearted singer-songwriter, it’s a clever use of her personality in one of the film’s key emotional moments.

2. The Lorax (2012)

taylor swift the lorax

Lois Lowry could certainly sympathize with the lackluster screen adaptations of fantastic books featuring the late and great Dr. Seuss, whose iconic prose has inspired a litany of cinematic disasters, from the screeching Jim Carrey. Grinch to the impossible to see by mike myers The cat in the Hat. Somewhere right in the middle of the package of these disappointing adaptations is The Lorax, which at least has an animation style somewhat complementary to Seuss’s iconic art. Of course, he is also forced to expand on the elegant simplicity of one of the writer’s best works, adding a story about a boy named Ted (voiced by Zac Efron) who lives in a city without nature and wants to win your heart. from local girl Audrey (Swift) bringing him a Truffula tree. Swift delivers a solid vocal performance, and the whole movie adds up to perfectly enjoyable family entertainment, but one can’t help but feel the fabled quality of the book’s tale of nature versus environmental destruction that gets lost in the outlandish antics of the movie.

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1. Cats (2019)

This might be the only list ranked from “worst to best” that Cats always the best. The bad news is that this is hardly the movie Tom Hooper thinks he made. At the film’s New York premiere, Hooper presented it as a film about the “dangers of tribalism”, but this is largely a bit of four-alarm mayhem that is disproportionately serious for a movie about singing cats, as well as possessing an appearance that can only be described as utterly insane. The good news is that practically none of that matters; not only is it not fun to say the Cats The movie is bad, it is also wrong. There is too much strangeness, too much strangely endearing energy from the Theater Kid to consider this a total failure.

Anyone who has seen this film in a theater with a loud and enthusiastic audience understands the community joy. Cats can bring, a Jellicle Ball that transcends the observation of hatred and lands somewhere inescapably pure. Yes, James Corden and Rebel Wilson are reprehensible, but that’s ignoring Sir Ian McKellen’s honest and worthy Oscar as Gus the Theater Cat; The deeply weird, strangely real, and unmistakably flirtatious performance of Dame Judi Dench as Old Deuteronomy; and Skimbleshanks the Railway Cat, whose tap number would honestly feel at home in any Golden Age movie musical. Taylor Swift has a brief role singing one of the most genuinely good songs on the score, “Macavity,” a vampy jazz tune culminating in a pas de deux with Cat Idris Elba, and she’s having a blast. For a film that features hordes of haunting CGI cats, along with a five-minute sequence of James Corden eating garbage, his portrayal is that of an old professional.

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