Now that it is definitely known that the next third wave of book releases for Star Wars: the high republic will mark the end point of your opening story, is there enough information to ask this question: Will this giant multimedia initiative repeat the storytelling problem of the Star Wars Canyon? When originally announced, Lucasfilm had promised audiences an epic narrative, told over the course of several years, that would fill the time period two centuries earlier. Star Wars: Episode I – The Phantom Menace, when both the Galactic Republic and the Jedi Order were at the height of their power (and decency) and before bureaucratic rottenness began to set the stage for Darth Sidious’ eventual rise to power.

After San Diego Comic-Con last weekend, the publishing schedule may have a much clearer focus, allowing fans to estimate how long it will last, how many central events the story will consist of, and how many novels (the fundamental medium within the effort) will eventually be released. Suffice it to start to show some similarities between The high republic and Skywalker Saga, the general name of the nine main installments of the Star Wars movie series. The films, of course, are divided into three different trilogies (the prequels, originals, and sequels), and this new venture is also divided into three different phases (which are officially named Phase I: Light of the Jedi, Phase II: Quest of the Jedi and Phase III: Trials of the Jedi).

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The potential problem with this general arrangement of the narrative is the inadvertent echo of the films in conjunction with the deliberate copying: how, more specifically, the central narrative relates to the almost endless stream of complementary multimedia releases. If the reading public considers these side stories to be mere filler, then The high republic it may be much more short-lived or financially constrained than Lucasfilm had imagined.

How Star Wars: the high republic Is structured

Star Wars Light of the Jedi cover

Phase I of The high republic It consists of three main events in the story, the first two representing the opening of the Starlight Beacon (a major space station that serves as a communications hub, a landmark for travelers, and the largest Jedi temple outside of Coruscant) and the Fair of the Republic (a world Fair celebration of everything related to the Republic on the planet Valo). These events are told not once, but three different times each, in books that overlap and intersect with each other; Although they focus on different sets of characters, sometimes in different locations, they are all referenced throughout the trio of stories, with the cast of characters from one release appearing, albeit briefly, in the others.

Additionally, these three stories are presented in three different formats: a novel for adults and a novel for young people, which are published on the same day, and a book for young people, which is published approximately one month later. Lucasfilm offers readers a little respite between each round of volumes, which means the release schedule looks like this: The first batch of titles landed in January and February 2021, with the second batch appearing in June and July and the third and last triptych materializing. in January and February 2022. In total, that means Phase I: Light of the Jedi will last 13 months and comprise nine novels.

Assuming Phases II and III will follow this same pattern (a safe assumption, given the Star Wars history since The Walt Disney Company took control of the franchise nine years ago), that means the public is seeing a total of nine narrative incidents, counted in 27 interconnected installments, with a projected completion date of February 2025.

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How The high republic Mirrors of the Skywalker saga

Star Wars Into The Rising Storm cover

When it comes down to its essence, a trio of tales told in three different parts of the narrative. The high republicThe template is remarkably similar to that of the three Skywalker Saga movie trilogies. It’s a fact that, given creator George Lucas’ focus on parallelism and “rhyme,” it doesn’t seem accidental at all.

It is clear that this allusion, if not a tribute, is definitely in the minds of the authors themselves; Cavan Scott, the writer of The growing storm, the second High republic adult novel, has invoked comparisons with Star Wars: Episode V – The Empire Strikes Back, which are really adequate given that this latest offering doesn’t go much further in the overall plot, but it does significantly increase the character’s work and the overall sense of dread, as well as ending in a suspense. It will be interesting to see if the transition from Phase I to II matters as much as the progression from the prequel to the original trilogy, and it will be even more interesting to see if a similar amount of time will pass between the two narrative units. Up to now, The high republic It’s only been a year between his first two books (the films ranged from one to three, on average, with several decades between the trilogies).

However, there is another, possibly deeper way in which The high republic it reflects the Skywalker saga – the proliferation of all its related interstitial material. In addition to the 27 books or the nine films, there is a cacophony of linked releases that help expose the central mythology without necessarily being an integral part of its progression, already, in High republicIn the case, there have been multiple short stories, two monthly comic series, and a video game appearance, with multiple comic book miniseries and an audio drama lined up. Also, there is an upcoming TV show, Star Wars: The Acolyte, which has been announced for Disney + and is said to take place towards the end of this particular galactic age. These additional adventures essentially act as side stories, sometimes taking place simultaneously with one wave of novels or another and then working to help fill the gaps between them, just like the larger ones. Star Wars Canon has done with the various movies for years, and just as it will soon with the next list of TV shows.

The traps Star Wars Canon Storytelling

The High Republic Adventures Edition 1 Star Wars

That Disney would want all its various Star Wars novels, comics, short stories, audio dramas and video games to play a supporting role in your new stable of movies and TV episodes makes some sense on paper; After all, the company wanted to offer its filmmakers a great deal of narrative flexibility. Additionally, each new visual release includes a swath of new characters, locations, and organizations that need their backstories to develop and interweave with existing material (how did Princess Leia Organa meet Admiral Amilyn Holdo?), And now there are. a series of loose plot threads that move from one trilogy to the next and need to be tied together (such as Jar Jar Binks’ final fate or just who, exactly, the Knights of Ren are).

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In practice, however, the decision essentially dooms this newly christened canon to a certain level of irrelevance: Readers can read any new book or comic book edition safe in the knowledge that no galaxy-wide event will happen, so that don’t stumble into any future. cinematographic ventures. (And even with this general approach taken, the public has still seen Star Wars canonical contradictions with events originally depicted on the printed page repeating on the small screen, greatly undermining the sense of a unified narrative landscape).

This same two-way approach to storytelling already seems to be afflicting The high republic. Yes, The growing storm can refer to Boy invasion seen in the High republic monthly comic series and latest junior novel, Race to Crashpoint Tower, it can act as a direct sequel to the first five issues of the other comic, The Adventures of the High Republic, but these additional titles have only had a lot of room to maneuver, essentially telling stories that revolve around the media initiative’s background players (or the backstories of the main cast, like the upcoming Temple Peak Monster graphic novel miniseries, which will delve into the character of “[light]saber for hire”Ty Yorrick). How important is it really to readers of Crashpoint Tower to find out how, exactly, are the characters of Lula and Zeen? The setting may seem like a more glorified backstory to you, although, technically, the comics problems came out months before the junior book.

Lucasfilm’s effects essentially replicating its narrative structure from the Star Wars canon, in general, to The high republic, specifically, they are quite pronounced. In particular, the main narrative backbone may be well defined and limited to a certain number of novels, but everything else is malleable, infinitely open to future versions. This actually has the potential for a terribly confusing playing field, with these companion tales essentially acting as filler to fill in the release schedule indefinitely (who’s to say the company won’t want to keep pushing backstory explainers much more). beyond the date of February 25?). Not only could this drown the central volumes in a nearly endless sea of ​​linked materials, but it could also put off quite a few audience members, who can be sure that anything outside of the novels will only be tangentially connected. . at best, to the basic story that interests them.

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