sion i am, responsible for works as necessary as ‘suicide club‘ (2001), ‘love exhibition‘ (2008), ‘cold fish‘ (2010), the always underrated ‘tokyo tribe‘ (2014) and the applauded in Spain ‘antiporn‘ (2016), has discovered in Nicholas Cage the protagonist I needed for ‘Ghostland Prisoners‘, an impossible western samurai with which it premieres shooting in English and which, thanks to A Contracorriente Films, will have its premiere in Spain on January 28.

    With sophia butella, ed skrein, Nick Cassavetes Y bill mosley completing the cast of familiar western faces, the time has come to take a look at its trailer in Spanish, as wild as expected:

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    The synopsis of the film promises to take us to the treacherous frontier town of Samurai Town, where we meet a ruthless bank robber (Nicolas Cage) who is freed from prison by a wealthy warlord, The Governor (Bill Moseley). ), whose adoptive granddaughter, Berenice (Sofia Boutella), has disappeared. The Governor offers the prisoner his freedom in exchange for recovering the fugitive but, so that he does not go too far, he is forced to wear a leather suit that will self-destruct in five days. The bandit will then embark on a journey to find the young woman and his own path to redemption.

    “The script came to me directly from Sono-san. I call him the movie wizard,” Cage himself comments to entertainment weekly. “I was very stimulated to be in his vision and his world. I never questioned anything, moreover, I protected his ideas. I wanted to make a Sion Sono film because I knew that in his vision he could play with some of my more abstract ideas as far as where could I go with film acting, what I like to call my more ‘kabuki western’ approach to film acting.

    Deciding as soon as he read that your character would yell the word “testicle”, the actor enjoyed the shoot like never before. “The fact of being able to be in Japan, embracing the genius of the place, put me to a hundred every day, that was already totally new”, he assures. “At my age, the job I have to do is maintain interest, because if I’m not interested, you’re not going to be interested. It’s harder the older we get. So I have to find new ways to express myself, new challenges.”

    In one way or another, it seems that we are facing a new blow from the actor, a title that will be added to the collection of jewels that he has given us in his last decade of career and that includes ‘Blind fury‘ (Patrick Lussier, 2011), ‘Joseph‘ (David Gordon Green, 2013), ‘Mom and Dad(BrianTaylor, 2017),Mandy‘(Panos Cosmatos, 2018),’color out of space‘ (Richard Stanley, 2019), ‘Willy’s Wonderland‘ (Kevin Lewis, 2021) and hopefully the imminent ‘Pork‘ (Michael Sarnoski, 2021).

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